From: Shoichi Tamuki Date: Sun, 29 Feb 2004 08:40:34 +0000 (+0000) Subject: Update X-Git-Tag: unkotim211~513 X-Git-Url: http://git.osdn.net/view?a=commitdiff_plain;h=63c489c5b7ddec43eae73e0feb80e286940ab73c;p=timidity41%2Ftimidity41.git Update --- diff --git a/doc/C/README.mts b/doc/C/README.mts index 2b7cd64e..6ca0d30b 100644 --- a/doc/C/README.mts +++ b/doc/C/README.mts @@ -1,6 +1,6 @@ ----------------------------------------------------------------------- +====================================================================== MIDI Tuning Standard summary ----------------------------------------------------------------------- +====================================================================== (1) Bulk Tuning Dump Request (Non Real-Time) ---------------------------------------------------------------------- @@ -359,9 +359,9 @@ ll number of formula (1 formula = F7 EOX ---------------------------------------------------------------------- ----------------------------------------------------------------------- +====================================================================== Preset temperament of Temperament Type Control Tuning ----------------------------------------------------------------------- +====================================================================== First, Pythagoras tuning (major) chromatic scale is expressed by the following recurrence relations. Here, the index [] is a offset of the @@ -494,9 +494,9 @@ Now, I think that mean-tone tuning could use for a harmony-melody because of the characteristic that is more harmony-like than Pythagoras tuning, and a scale is not uneven like pure intonation. ----------------------------------------------------------------------- +====================================================================== The major/minor in the temperament tonality ----------------------------------------------------------------------- +====================================================================== The basic chords used in general music in C major are not only C, G, F but also Am, Em, Dm which appear frequently. There may also be Cm, @@ -566,9 +566,9 @@ I think it is nice to select the tuning combination whose pitch of parallel key is slightly lower for major music, and slightly higher for minor music. ----------------------------------------------------------------------- +====================================================================== User-defined temperament entry ----------------------------------------------------------------------- +====================================================================== The function of user-defined temperament entry (experimental) is implemented in TiMidity++. This corresponds to (18) of MIDI Tuning @@ -640,4 +640,5 @@ f0 7e 00 08 0c 03 ; temper prog number 00 00 01 7f 03 02 01 01 00 01 ; (both) 3/2 f7 +---- TAMUKI Shoichi diff --git a/doc/ja_JP.ujis/README.mts b/doc/ja_JP.ujis/README.mts index 5e9823d6..db9871cf 100644 --- a/doc/ja_JP.ujis/README.mts +++ b/doc/ja_JP.ujis/README.mts @@ -1,6 +1,6 @@ ----------------------------------------------------------------------- +====================================================================== MIDI Tuning Standard³µÎ¬ ----------------------------------------------------------------------- +====================================================================== (1) ¥Ð¥ë¥¯²»Äø¥À¥ó¥×Í×µá(Èó¥ê¥¢¥ë¥¿¥¤¥à) ---------------------------------------------------------------------- @@ -366,9 +366,9 @@ ll F7 EOX ---------------------------------------------------------------------- ----------------------------------------------------------------------- +====================================================================== ²»Î§¼ïÊÌÀ©¸æ¥Á¥å¡¼¥Ë¥ó¥°¤Î¥×¥ê¥»¥Ã¥È²»Î§ ----------------------------------------------------------------------- +====================================================================== ¤Þ¤º¡¤¥Ô¥¿¥´¥é¥¹²»Î§(ĹĴ)Ⱦ²»³¬¤ò¡¤²¼µ­¤Î¤è¤¦¤ÊÁ²²½¼°¤Çɽ¸½¤·¤Æ¤ª¤­¤Þ ¤¹¡£¤³¤³¤Ç¡¤[]Æâ¤Î¥¤¥ó¥Ç¥Ã¥¯¥¹¤Ï¡¤¼ç²»¤ò´ð½à¤È¤·¤¿¥ª¥Õ¥»¥Ã¥È¤Ç¡¤±é»»·ë @@ -492,9 +492,9 @@ mt_min[10] = mt_min[ 5] / (10/3)^(1/3) # Bb 4 / (10/3)^(2/3) * sc ÀµÎ§¤Î¤è¤¦¤Ë²»³¬¤¬Æ̱ú¤·¤Ê¤¤¤È¤¤¤¦ÆÃÀ­¤«¤é¡¤ÏÂÀ¼Åª¤Ê¥á¥í¥Ç¥£¤Ë»È¤¨¤ë¤Î ¤Ç¤Ï¤Ê¤¤¤À¤í¤¦¤«¤È¹Í¤¨¤Æ¤¤¤Þ¤¹¡£ ----------------------------------------------------------------------- +====================================================================== ²»Î§Ä´À­¤Ë¤ª¤±¤ëĹĴ/ûĴ ----------------------------------------------------------------------- +====================================================================== °ìÈÌŪ¤Ê¥ÏĹĴ¤Î¶Ê¤Ç»È¤ï¤ì¤ë¼çÍ×»°Ï²»¤Ï¡¤C¡¤G¡¤F¤À¤±¤Ç¤Ê¤¯Am¡¤Em¡¤Dm¤â ÉÑÈˤ˸½¤ì¤Þ¤¹¡£¤Þ¤¿¡¤Cm¡¤Gm¡¤Fm¡¤A¡¤E¡¤D¤Ê¤É¤â¤¢¤êÆÀ¤Þ¤¹¡£¤³¤ì¤é¤Î¥³¡¼ @@ -558,9 +558,9 @@ Bb F C G ¡¼¥Ë¥ó¥°¤ÎÁȤ߹ç¤ï¤»¤ò´ðËܤËÁªÂò¤¹¤ì¤Ð¡¤¤¹¤³¤Ö¤ëÎɹ¥¤Ê·ë²Ì¤Ë¤Ê¤ë¤È»×¤¤ ¤Þ¤¹¡£ ----------------------------------------------------------------------- +====================================================================== ¥æ¡¼¥¶ÄêµÁ²»Î§ÅÐÏ¿ ----------------------------------------------------------------------- +====================================================================== TiMidity++¤Ï¡¤¥æ¡¼¥¶ÄêµÁ²»Î§¤ÎÅÐÏ¿µ¡Ç½¤ò¼ÂÁõ¤·¤Æ¤¤¤Þ¤¹¡£MIDI Tuning Standard³µÎ¬(ËÜʸ½ñ¤ÎËöÈø¤ò»²¾È)¤Î(18)¤ËÁêÅö¤·¤Þ¤¹¡£Î㤨¤Ð¡¤²¼µ­¤Î¤è¤¦ @@ -631,4 +631,5 @@ f0 7e 00 08 0c 03 ; 00 00 01 7f 03 02 01 01 00 01 ; (ξÊý) 3/2 f7 +---- Åĸþ Àµ°ì